The 2015 Australian Open concluded in a manner that proved satisfying even as it felt inevitable: Fabio Fognini and Simone Bolelli claimed their maiden Slam doubles title, just as we allÂ predicted they would. More surprisingly, the singles titleÂ was won by world number one and strong pre-tournament favourite Novak Djokovic, who contrived victory despite rubberyÂ thighs, a mangled thumb, some kind of virus, his coach, and an overwhelmingly strong record against all of his opponents. It is the Serbâ€™s fifth Australian Open title, a record for the Open Era. Bolelli and Fognini meanwhile are the first Italian male pair to win any Major since 1959. They immediately announced their ambition to attendÂ the World Tour Finals in November, Fognini being a long-term commitment kind of guy.
Until he lost, and even for a whileÂ afterwards, Nick Kyrgios was the talk of the tournament. He eventually fellÂ to Andy Murray in the quarterfinals. Bernard Tomic meanwhile lost a whole round earlier to Tomas Berdych, and wasnâ€™t the talk of the tournament. No one thought to mention how their results would likely have been reversed had they swapped draws. What if Tomic had faced Andreas Seppi in the fourth round, instead of Berdych? What if Kyrgios had faced Philipp Kohlschreiber near his best in the second round, instead of Ivo Karlovic at his worst? Thereâ€™s little point in dwelling on what might have been, but we shouldnâ€™t forget that luck plays its part, especially when determining which player enjoys the warm glow of the nationâ€™s affection.
Australiaâ€™s most popular media outlets only encourage thisÂ seasonal lunacy. Theyâ€™d already accelerated toÂ a patriotic gallop when James Duckworth beat Gilles Simon in Brisbane â€“ imagine CBS going bananas at Jock Sock winning a round in Winston-Salem â€“ and the pace barely slackened until Kyrgios leftÂ Melbourne. It helped that for once there was plenty to celebrate: of the 128 singles players who passed the first round at the Open, eleven of them boasted little Australian flags next to their name, a flowering of home-grown and imported talent that was commemorated with typical reticence on the front pages of the local tabloids. It even prompted Channel 7 to work some tennis into promos for their nightly news bulletin, which are otherwise compiled from whatever grainy footage of urban violence theyâ€™ve scrounged up that day (a habit noted by visiting athletes).
For Channel 7, any Australians lingering deep into the tournament provide a ratings boost not only for the duration of the event itself, but for the remainder of the year: the longer the locals endure, the higher the number of viewers exposed to relentless promos for their upcoming suite of unmissable shows. Prominent among these is the ridiculous My Kitchen Rules, a reality cooking show that invites us to worry on behalf ofÂ the kinds of people whoâ€™ve pinned their hopes on winning a reality cooking show: â€œWe need this â€¦ cos of our dreams,â€ sobs one contestant, meaning it. Another contestant can apparently speakÂ to turkeys. Then thereâ€™s the unendingÂ Home and Away,Â set in an idyllic beachside hamlet whose population has remained constant for decades, despite a ceaselessly regenerating cast of attractive youths. According to the ads, a bus rolls over in the new season, though sadly only one of the attractive youths is on board. â€œI wonâ€™t lose another brother,â€ sobs another attractive youth. Heâ€™s either related to the dude on the bus, or just very absent-minded.
Channel 7 owes is current domination of the Australian ratings in large part to Lleyton Hewitt, whose run to the 2005 AO final enabled the host broadcaster to plug its new programmes for a whole extra week. They’veÂ repaid Hewitt by guaranteeing him a job for life. He announced that next yearâ€™s Open, his twentieth, will be his last, which means heâ€™ll now join the commentary team one or two rounds earlier. Itâ€™s a good thing heâ€™s not half bad. Speaking of commentaryâ€¦
As unkind as I am about Channel 7, the parts of the tennisÂ coverage not devoted to commercials and sundryÂ self-congratulation actually showed an improvement over previous years. For one thing there was the new 7Sport app (and website), which allowed users to watch any of the dozen or so televised courts, several of which had commentary. The exposure this gave to players toiling on outside courts shouldnâ€™t be underestimated: for a time 7Sport was the most downloaded app from the iTunes store, and one imagines that at least proportion of users showed some curiosity about the action occurring away from the main stage.
For another thing, hosting duties have passed to the capable Hamish McLachlan, whom Australian viewers might otherwise know as the host of AFL Game Day. As the designated network guy, McLachlan combines an easy-going levity with an obvious passion for tennis and wide range of cultural reference. Of course, next to most of the commentary team just about anyone would sound like Stephen Fry. Rennae Stubbs at one point declared: â€˜That was the very thought I was thinking.â€™ During Kei Nishikoriâ€™s second round match McLachlan pointed out to John Fitzgerald that professional tennis is a meritocracy. Fitzyâ€™s first response was panicked dead air, soon followed by the admission that he didnâ€™t know what meritocracy meant. McLachlan helpfully explained how it differs from aristocracy. Even then, Fitzgerald could contribute little, since he so obviously only watches tennis a few times a year.
Whatever he does with the rest of his time, it isnâ€™t reading. During a subsequent match it was Milos Raonicâ€™s forehand that transported him to allusive heights: â€œThatâ€™s not a velvet sledgehammer. Thatâ€™s a regular sledgehammer!â€
â€œYeah, one thatâ€™s gonna knock you out!â€ chimed in booth-mate Peter Lonergan, doing his part to drain the clichÃ© of its already meagre nuance.
â€œHeâ€™s really started going for a broke a little bit,â€ addedÂ Fitzy, just warming up.
Australian commentators love the phrase â€˜a little bitâ€™, which no doubt originated as a species of wry understatement, but has since evolved away from irony. Now itâ€™s just a verbal tic, acquired through imitation and ingrained through repetition. (We can trace its origins back to cricket commentary, where, say, a Wasim Akram delivery that swung four feet to take out leg stump might indicate â€˜a little bitâ€™ of movement. A fifth-day Test wicket resembling a drought-fissured riverbed would show evidence of â€˜a little bitâ€™ of cracking. Thus it is that a tennis player trailing by two sets and a couple of breaks can be in â€˜a little bitâ€™ of trouble.)
All the available evidence is that Lleyton Hewitt is largely immune to irony, even in diluted form. As a player and a commentator, understatement is a foreign concept. Viewers of Channel 7â€™s Australian Open coverage â€“ and long-term readers of these pages â€“ are doubtless aware of Hewittâ€™s fondness for the terms â€˜extremely wellâ€™ and â€˜tremendousâ€™ (the latter often describing the act of â€˜ball-strikingâ€™). His passion for these terms hasnâ€™t slackened, and has lately been heavily augmented by the word â€˜massiveâ€™. He uses â€˜massiveâ€™ in the figurative sense of â€˜very largeâ€™, not the literal sense of â€˜having massâ€™. (Apparently we donâ€™t have enough synonyms for â€˜very largeâ€™.) Weâ€™re often told that Hewitt is a role model for the next generation of Australian players, and it seems his example extends even to vocabulary: Kyrgios is also a devotee of â€˜massiveâ€™.Â By the final, even Jim Courier was a convert:
“How big would you say this game is, Lleyton?”
“Yeah, me too. Massive.”
Given that Hewitt is still (nominally) an active tour player, it is understandable that he is less critical in his commentary than some of the retired pros. Refreshing though it might prove, it probably wouldnâ€™t do to have him excoriate his peers on air. Something like that would surely get back to the locker-room. However, while his continuing role as a tour professional precludes him from being completely candid â€“ even about Chela and Nalbandian he would go no further than to say he never practiced with them; a rare example of wry understatement â€“ it also provides him with his most interesting material. At his best Hewitt offers insights available nowhere else. When he first began commentating for Channel 7 a few years ago he came toting a duffel bag of fresh anecdotes. Did you know that Nadal is as competitive on the golf course as on the tennis court? Or that Ferrer was once too shy to ask Hewitt for his autograph?
Although the duffel bag has lately seemed a little depleted, there is still the occasional trinket. During the first of the menâ€™s semifinals Hewitt remarked that during the IPTL he shared a team with both Tomas Berdych and Andre Agassi. He related that one day during practice Agassi took the Czech aside, though not so aside that Hewitt couldnâ€™t overhear, and told him that his second serve simply wasnâ€™t good enough, and that it was this shot that had thus far stopped him from breaking through for a Major. Itâ€™s this kind of material that mightÂ dry up once Hewitt is no longer in the thick of the action.
McLachlanâ€™s elevation to the role of host freed Bruce McAveny for other duties. These commenced disastrously at the draw ceremony â€“ Li Na clearly found him baffling, and seemed determined to be as difficult as possible â€“ and continued through a fortnight of matches on Rod Laver Arena. Bruce has always had a passion for statistics, and in his prime would make sure use of them in rendering the onscreen action comprehensible for viewers. The relevance of statistics generally lies in the connections they establish. Bruce hasnâ€™t lost the ability to form those connections – he has lost the ability to stop making them. Consequently he has gained the fatal habit of rambling on at least one clause too far. After Murray and Berdych fought out a 76 minute opening set, McAveny reminded us that Grigor Dimitrov had beaten Dustin Brown in 69 minutes in the opening round, which was fine, until: “And of course Murray beat Dimitrov in the fourth round here.” In isolation it doesnâ€™t seem like much, but it happened nearly every time he spoke: another tiny plank of irrelevance in a groaning structure of aimlessÂ erudition.
For certain aspects of sports coverage to be sponsored is nothing new, though lately the practice has expanded into near ubiquity. Little occurs on court without a third-party corporation attaching their name to it, with the lurking implication being that these things wouldnâ€™t happen but for the generosity of these companies. The Australian Open ballkids were thus the â€˜Woolworthsâ€™ ballkids. Medical timeouts were â€˜Voltaren Injury Breaksâ€™. The on-court interview was recast as the ANZ Open Mic. It went on and on. At one point McAveny interrupted an aerial shot of the Woolworths ballkid delivering a towel to a player â€“ himself festooned with logos â€“ during a Voltaren Injury Break: â€œSo letâ€™s leave the APT Spidercam to look at the Bunnings second set highlights.â€
ESPN already has the finest tennis commentator in the world in Darren Cahill, and did itself more favours by enlisting Jason Goodall to provide expert analysis in a series of segments that invariably yielded real insight. Channel 7 had similar segments: called â€˜Back to Schoolâ€™, they were sponsored by Office Works, hosted by Roger Rasheed, and were generally worthless.
The real shame was that they neednâ€™t have been. Ideally Geoff Masters would have hosted them. Masters is affable, well-spoken and boasts an intimate knowledge of the game stretching back decades. (7â€™s best commentary of the summer came when Masters and McLachlan paired up for a match in Brisbane, though there was one clanger when Masters remarked of oneÂ player that a transition game “wasn’t in his tennis DNA … at least not yet.”) Instead we got Rasheed in a tight polo-neck, whose every utterance sounds like a fridge magnet devised by a My Kitchen Rules contestant. Before the quarterfinals he explained that for Djokovic to win, the Serb “mentally just has to be so strong in his mind”. That was the very thought I was thinking.
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